Ireland rugby star Hannah Tyrrell shines on return to football as Dublin hammer Waterford

Dublin 6-15
Waterford 2-12

HANNAH TYRRELL MARKED her return to inter-county football in style this afternoon as the Irish rugby international hit 1-5, as reigning All-Ireland champions Dublin convincingly defeated Waterford in Parnell Park.

In a game that was dubbed a dress rehearsal for the championship, Dublin welcomed back Olwen Carey, Siobhan Killeen, and fresh from their endeavours in Australia, Lauren Magee and Niamh McEvoy.

Waterford did get off to a quicker start and dominated early possession, Maria Delahunty hit one from play and converted a free. Early Dublin efforts skimmed wide of the post but they opened their account for 2021 with a Sinead Aherne free after Niamh Hetherton was fouled. 

As Dublin upped the intensity, Tyrrell proved her worth hitting four first-half points. The first was a beautiful effort after a long range exchange with Niamh Hetherton, and Tyrrell was again on the scoresheet twice more minutes later.

Aherne converted her second free from 30 yards before Lyndsey Davey opened up a six-point gap when she found the net after a sweeping team move involved Hetherton and Siobhan Killeen.

Hetherton’s first-half efforts were rewarded with with a point of her own, while returning Killeen and Tyrrell also pointed leaving nine points between the teams at the water break, 1-8 to 0-2. 

Michelle Davoren of Dublin in action against Laura Mulcahy, left, and Rebecca Casey of Waterford.

Making her senior debut, Abby Shiels was comfortable in goals while Orlagh Nolan and Leah Caffrey bolstered a Dublin defence that proved difficult to break. 

Dublin’s second goal began as a sweeping team move down field and with Aherne in an inch of space, the captain offloaded to Hetherton, the Clontarf player made no mistake finishing to the net to open up a 12-point lead. 

Waterford steadied their ship and Eimear Fennell (2) and Delahunty brought the Munster side back into contention. The teams traded scores before the break, with Aileen Wall finding space and Delahunty firing over from short range. However, a brace of Aherne frees ensured Dublin took a nine-point lead into half time, 2-10 to 0-7.

The third quarter was a tighter affair, although Dublin did have to cope with two separate yellow cards, Aoife Kane just before half-time and Caoimhe O’Connor before the second water break but it had little impact on the champions.

Aherne raised a green flag of her own when Hetherton found her in space and as the substitutions rolled in, the scoreboard continued to tick over. Aherne (3) and Tyrrell raised white flags while Delahunty and Kellyann Hogan converted for Waterford.

The game finished in a goal frenzy with five goals inside eight minutes. Orlagh Nolan and Tyrrell found the net for Dublin inside a minute, Aileen Wall and substitute Kate McGrath raised green flags for the visitors. Caoimhe O’Connor signed off on the win for Dublin when she converted from the penalty spot.

Scorers for Dublin: S Aherne 1-7 (0-5f), H Tyrrell 1-5, N Hetherton 1-1, O Nolan 1-0, L Davey 1-0, C O’Connor 1-0 (1-0 pen), L Collins 0-1, S Killeen 0-1.

Scorers for Waterford: M Delahunty 0-7 (0-4f), A Wall 1-1, K McGrath 1-0, E Fennell 0-2, C Fennell 0-1, K Hogan 0-1.

DUBLIN: A Shiels; O Nolan, L Caffrey, O Carey; M Byrne, A Kane, L Collins; L McGinley, H Tyrrell; C O’Connor, S McGrath, L Davey; N Hetherton, S Killeen, S Aherne (captain).

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Subs: H Leahy for M Byrne (28), M Davoren for N Hetherton (42), L Magee for S McGrath (45), H O’Neill for S Killeen (45), J Egan for S Aherne (48), N McEvoy for H Tyrell (52), L Kane for O Nolan (55), C McGuigan for L McGinley (55), S Loughran for L Davey (55).

WATERFORD: M Foran; A Mullaney, L Mulcahy, R Casey; C Fennell, K McGrath, M Wall (captain); C McGrath, M Dunford; R Tobin, A Wall, K Hogan; E Fennell, M Delahunty, K Murray.

Subs: K McGrath for R Tobin (39), A Murray for E Fennell (46), L Cusack for A Mullaney (49), B McMaugh for K Hogan (49), N Power for M Wall (56), C McCarthy for C Fennell (56), R Dunphy for A Wall (56). 

Referee: Kevin Phelan (Laois) 

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‘It’s an amazing story’ – A first senior championship start for Clare hurlers at the age of 30

IN THE 50th minute of Sunday afternoon’s game, Páidí Fitzpatrick was summoned to the sideline at Semple Stadium.

The Clare defender gestured with his fist as he ran off, saluting David McInerney who was coming on as a replacement. The message was clear.

He had put in a huge shift to help establish a winning platform for his team as they were nine points clear.

Now the focus shifted to supporting the rest of the team as they attempted to finish the job.

Ultimately Clare were successful by four points. It was a victory to savour for their team to kick-start the 2021 ambitions but for Fitzpatrick it held a deeper meaning, this was an experience that he had waited some time to share in.

A first senior championship start for Clare at 30 years of age, seven weeks shy from his 31st birthday.

It was almost 13 years exactly, since he had previously started a championship game of any description for a Clare team.

On 25 June 2008 he featured in a Munster minor semi-final against Tipperary.

On 27 June 2021 he featured in a Munster senior quarter-final against Waterford.

It was a notable journey from one point to the other. His maiden competitive senior appearance for Clare arrived on Sunday 1 March last year. He acquitted himself well in a nine-point league win over Dublin in Ennis but any aspirations for channelling that momentum were soon wrecked. The country shut down 11 days later and the pandemic ripped up everyone’s plans.

Source: Bryan Keane/INPHO

Well done to Paidi Fitzpatrick who made his competitive debut for Clare in the National Hurling league versus Dublin in Ennis at the weekend. Joined by club mate Cathal Malone as the other wing back. #clareseniors #paidifitz #sixmilebridgegaa https://t.co/J9WwzPxMYT pic.twitter.com/CRAwWBSiRE

— Sixmilebridge (@SMBClare) March 2, 2020

When the 2020 inter-county programme of games resumed, Fitzpatrick made the bench for Clare’s four winter outings. He got pushed into the action in Portlaoise last November, a championship milestone arriving in the 60th minute of their triumph over Wexford.

2021 brought league starts against Wexford and Dublin before the big chance arrived on Sunday. He seized it, blotting out the threat of Waterford’s Jack Fagan to announce himself on the senior stage.

“It’s an amazing story,” admits Syl O’Connor, the Clare FM GAA commentator and Sixmilebridge club-mate of Fitzpatrick.

“Páidí would have been looked upon as one of the best man-markers in the county at club level. No question about that.

“Some of his greatest battles were marking Conor McGrath, when he was in his prime. The ‘Bridge and Cratloe were very prominent for a period, playing each other. Conor was one of the top players, Páidí always got the task of marking Conor.

“He probably has a unique style as well, he’s a real man-marker. He’d probably never run 100 yards and pop it over the bar. But the man that’s on him, won’t do that easily either.

“He’s a massive player from the ‘Bridge point of view. Very influential and very well got with the team.”

Back in 2008 he moved from club underage ranks to fill the centre-back spot for the Clare minor hurlers in a team powered by the inside attacking duo of McGrath and Darach Honan. It was a campaign where they made a rousing start by beating Cork but were then knocked out by Tipperary.

Fitzpatrick was on the fringes of the county U21 squad in 2010 and 2011 without ever managing to break into the first fifteen.

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Then followed a long spell away from the inter-county game yet his hurling never declined. He focused on his work with the club and prospered.

When Sixmilebridge lifted the Canon Hamilton Cup last September, it ensured Fitzpatrick would pick up his fifth Clare senior hurling medal since 2013. He had started in all five final wins, captaining them in 2017, while covering a range of positions including full-back, wing-back, midfield and centre-forward.

Source: Lorraine O’Sullivan/INPHO

In his homeplace they appreciated his worth as a golden age for the club was enjoyed.

“I’d often think of the example of Shane Prendergast in Kilkenny,” says O’Connor.

“Came in the first year and won the All-Ireland (in 2015), he was captain the next year for the All-Ireland and was gone the following year. He was 29 when he came in.

“Look, everybody would be surprised to see you make your senior championship debut at 30 years of age. There’s no doubt about that. But you’d have to look at it and say, how did that happen?

“I think he’s come into the scene now, based on the type of player that I believe Brian Lohan looks for. Big men and trying to get power into the team. Páidí has fallen into the category then of making his championship debut at 30 years of age.

“That half-back line is a massive unit with himself, John Conlon and Diarmuid Ryan. The size of Páidí is a big plus and his man-marking ability.”

Playing club hurling at an elite level gave him a strong grounding, to the fore for a dominant side in Clare, then testing himself in Munster against heavyweights like Na Piarsaigh and Ballygunner.

His older brother Stiofan was midfield on the Clare minor team that lifted the All-Ireland crown at the expense of Clare in 1997. His father PJ has been a club coach of renown in the county, a long-serving principal in Clonlara National School where he was one of the early influences in the hurling careers of current Clare stalwarts Colm Galvin and John Conlon.

Cathal McInerney and Páidí Fitzpatrick in the 2019 Clare county senior final.

Source: Lorraine O’Sullivan/INPHO

Fitzpatrick spent some time travelling as well, switching careers around 2016 from chartered accountancy to mobile and web development.

On the day of the 2019 All-Ireland hurling final, he was lining out at Treasure Island in San Francisco to help Na Fianna win the senior hurling final against the Tipperary club. Wolfe Tones player Rory Hayes was a team-mate that day, now they are both part of the Clare defensive unit.

And this week they’ve a Munster semi-final to prepare for.

Back in 2006, Munster’s U16 inter-divisional hurling tournament culminated with East Clare pipping Mid Tipperary by a point in the final. Páidí Fitzpatrick was on the winning side, Noel McGrath on the losing team. Given their general positioning, they’re likely to renew acquaintances on the pitch next Sunday.

McGrath’s inter-county career exploded to life after that game 15 years ago, Fitzpatrick’s has taken a bit longer to take flight.

“It’s unusual nowadays to be starting so late,” admits O’Connor.

“But then again there’s nothing unusual nowadays about a fella blazing a trail of glory at 18 or 19 and then he’s gone. Maybe for a change, it’ll go the other way for a while.

“He stuck at it. The worst thing you can do is stand beside Páid Fitzpatrick, you’d only be looking up at him. He’s a massive lad.

“And if there’s a job to be done on the hurling pitch, he’ll do it.”

– First published 06.00, 29 June

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Mayo duo and Cavan star the latest of Irish contingent to have new AFLW deals confirmed

MORE IRISH PLAYERS have earned new Australian Football League Women’s [AFLW] contracts as the focus switches to next season.

Mayo and Cavan stars Sarah Rowe and Aishling Sheridan have committed their immediate future to Collingwood, putting pen to paper in recent days.

Yesterday, Rowe was one of six players to have a new deal announced, signing on until 2023. The 25-year-old recently completed her third AFLW campaign, playing seven goals across an injury-hampered season, while kicking one goal.

Having undergone shoulder surgery as the curtain came down on the 2021 season, Rowe stayed on in Australia to rehabilitate, missing the Green and Red’s league campaign. The Kilmoremoy forward returned to home soil in recent days, though, so the race is now on for her championship involvement.

Her immediate focus will be on Gaelic games matters, though her new two-year deal will see her head back Down Under afterwards to continue to “live the best of both worlds,” as she so often says.

Sheridan’s status of being on a two-year deal was also confirmed this morning, as she officially penned a contract extension until 2023.

The Mullahoran ace lit up the AFLW last season, enjoying a stunning individual campaign with goals almost every week as she established herself as one of the Pies’ main forwards in her second year at the club.

24-year-old Sheridan has been back in Ireland for some time now, returning to inter-county duty with Cavan through their Division 2 league campaign, as they now prepare for an Ulster championship meeting with Donegal.

Elsewhere, Rowe’s Mayo countywoman Aileen Gilroy has re-signed for North Melbourne.

Gilroy in action for North Melbourne.

Source: AAP/PA Images

One of 24 players retained from the Kangaroos 30-strong 2021 AFLW list, Gilroy sparkled once again in her second season and has subsequently been rewarded with a longer stay.

The 28-year-old has excelled in Australia of late and has been touted as “one of the most exciting Irish talents” over there, though has opted out of the Mayo ladies football set-up for 2021. 

A former underage soccer international with Ireland, the Killala native missed most of the 2019 ladies football season with a devastating cruciate injury, before announcing her comeback with a stellar debut season Down Under.

She returned to line out in the Green and Red’s midfield last autumn, but has decided against it this time around.

“Aileen’s not one to half-arse anything,” as manager Michael Moyles recently said. “The last year or two, she’s struggled with it so she needs to take a year to get things around her. And that’s fine, no problem.”

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  • Tipp’s Premiership champion O’Dwyer among Irish stars returning to AFLW next season 

Tipperary’s Premiership champion Orla O’Dwyer, Melbourne’s Dublin duo Sinéad Goldrick and Lauren Magee, and Adelaide Crows’ Ailish Considine have all had their respective returns for the 2021/22 season confirmed in recent days, with further announcements expected.

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The42 understands that several other Irish players — 14 were involved in the 2021 season — are on two-year contracts, and will return for another campaign. 

The league is set to expand over the coming seasons, with the 2022 edition — season six –  due to begin in December 2021 and the Grand Final to be held in mid-March, before the men’s season begins. The competition will increase from nine rounds to 10, plus three weeks of finals.

Over the past few years, the AFLW campaign opened in late January and ran until mid-April, allowing for the Irish contingent — much of whom play inter-county ladies football — to return to these shores for the tail end of the league and for the entire TG4 All-Ireland championship.

Covid-hit 2020 aside, they normally travelled Down Under in October/November for pre-season, so it’s expected that will be earlier this coming autumn, throwing up the potential of code clashes.

Here are the 2021 Cork senior club football and hurling championship draws

REIGNING CORK SENIOR hurling kingpins Blackrock will take on last year’s semi-finalists Erins Own after this evening’s draw for the 2021 club championships in the county.

On the day that adult club players received the green light to resume training in pods of 15 from Monday 10 May and can play games from Monday 7 June, the championship draws for the year ahead took place in Cork.

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In the hurling Blackrock, who ended an 18-year wait last October for senior hurling glory, will meet Erins Own along with city rivals St Finbarr’s and last year’s senior A winners Charleville in their group.

Last year’s beaten finalists Glen Rovers will take on Douglas, Newtownshandrum, Bishopstown.

The remaining group will feature the East Cork trio of Sarsfields, Midleton and Carrigtwohill – who won five counties between them in the 2010-2014 period – and city team Na Piarsaigh.

In the football, last year’s premier senior final is still to be played but the two sides in contention, Castlehaven and Nemo Rangers, do know who they will take on in the group stages this year.

Castlehaven will meet fellow West Cork teams Carbery Rangers and Newcestown, along with the winners of the senior A final involving Éire Óg and Mallow, that is still an outstanding fixture.

Nemo Rangers will face Valley Rovers, Douglas and Carrigaline. Then it’s 2018 champions St Finbarr’s up against Ballincollig, Clonakilty and Ilen Rovers in the remaining group.

2021 Cork Championship Draws

Premier Senior Football

  • Group A – Nemo Rangers, Valley Rovers, Douglas, Carrigaline.
  • Group B – Castlehaven, Newcestown, Carbery Rangers, Mallow/Éire Óg.
  • Group C – St Finbarr’s, Ballincollig, Clonakilty, Ilen Rovers.

Premier Senior Hurling

  • Group A – Glen Rovers, Douglas, Newtownshandrum, Bishopstown.
  • Group B – Sarsfields, Na Piarsaigh, Midleton, Carrigtwohill.
  • Group C – Blackrock, Erins Own, St Finbarr’s, Charleville.
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Senior A Football

  • Group A – O’Donovan Rossa, Bandon, Béal Áth An Ghaorthaidh, Dohenys.
  • Group B – Bishopstown, St Michael’s, Kiskeam, Winner Knocknagree/Kanturk. 
  • Group C – Fermoy, Loser Mallow/Éire Óg, Clyda Rovers, Bantry Blues.

Senior A Hurling

  • Group A – Kanturk, Bandon, Fermoy, Blarney. 
  • Group B – Ballyhea, Bride Rovers, Ballymartle, Mallow. 
  • Group C – Fr O’Neill’s, Newcestown, Cloyne, Killeagh. 

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It took a pandemic to change the movie business

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On Christmas Day, you can see Wonder Woman 1984 in movie theaters — if theaters are open where you live — or you can watch it at home on HBO Max.

That’s a remarkable thing. It’s the first time you’ve ever been able to decide exactly when and where you want to watch a big, would-be-blockbuster Hollywood movie on opening day.

Distribution plans for a superhero movie aren’t the most important news at the moment — we are, after all, battling a pandemic that has killed 250,000 Americans. But it’s also worth noting that this modestly pro-consumer move — giving people the chance to see a comic book movie wherever they want to see it — is only happening because of the pandemic.

The move also tells you a lot about the state of both the movie theater business (it’s in a lot of trouble) and the streaming business, which is in a desperate race for scale.

Quickish background: Hollywood movie studios and the big movie theater chains have been fighting for years over “windows”: the amount of time between when a movie comes to theaters and when you can watch it at home. Most of the studios have been trying to shrink that window. They want you to be able to rent a big movie at home weeks, not months, after it debuts in theaters. Theaters, for obvious reasons, want to keep that gap as big as possible.

And since theaters represent a big chunk of the revenue a movie can generate, they’ve been able to more or less hold the line. You could sometimes see an indie movie at home at the same time it debuted in theaters, but for big movies and big studios, it never happened.

Even attempts to experiment with alternative models — in 2011, Universal studios proposed letting you rent Tower Heist, a terrible Eddie Murphy/Ben Stiller movie, for $60 while it was still in theaters — haven’t gone anywhere.

Enter the pandemic, which closed theaters and forced studios to try different strategies. Most studios moved most of the big movies they planned to debut this year, like Dune or the latest Fast & Furious sequel, to 2021. Then they experimented a bit with everything else: Universal allowed people to rent Trolls 2 and other movies at home. Other studios took movies that were supposed to go into theaters and folded them into their own streaming services: Hamilton debuted on Disney+, The Witches went to HBO Max. Disney also tried a hybrid option by letting Disney+ subscribers watch Mulan at home — if they paid an extra $30.

But until now no one has let you pick if you want to watch a true blockbuster in a theater with other people, or at home with friends and family. (The first Wonder Woman movie, released in 2017, grossed more than $800 million worldwide, which means WarnerMedia, the unit of AT&T that owns both Warner Bros. studio and HBO Max, expect the sequel to be a giant hit as well.)

The fact that this is happening now reveals a couple things:

  • The movie theaters have completely lost the leverage they once had. In the past, WarnerMedia would have never tried this because the big theater chains would have made credible threats, including refusing to show the movie in their theaters. (This is why, by the way, you could see Netflix’s The Irishman in theaters last year only in small chains and indie theaters. The big chains, like AMC, simply refused to show the movie because they are angry at and threatened by Netflix in general.) But the big chains can’t threaten the movie studios anymore.

That’s because they’re either not open, period, or because people don’t want to see movies in theaters, even when they can. WarnerMedia did try bringing Tenet, a would-be blockbuster, to theaters earlier this year, and pandemic-scarred US audiences simply refused to go. And while movie theaters expect to open again in 2021, they will do so in a very weakened state. They have spent this year bleeding money and trying to stave off bankruptcy. There’s a good chance many of the theater chains will have to close many of their locations in the near future; there’s also a good chance some of them will end up with new owners after filing for Chapter 11.

One indication of how weak the theaters are: Earlier this year, Universal cut a deal with AMC, the world’s biggest theater chain, to shorten — but not eliminate — the theater-to-home window. That pact was considered astonishing, and it required Universal to give AMC a cut of its home rental sales.

But a PR rep for WarnerMedia says the company isn’t changing its existing deals with theaters in any way for Wonder Woman 1984. The theaters that show it can get the cut of box office revenue they always get, and nothing more. That is: WarnerMedia is betting that the big chains will show the movie, on their terms, which they hate. And that they won’t be able to do anything to retaliate.

  • Big media desperately wants to catch up to Netflix. WarnerMedia executives are fully aware that giving people the chance to watch Wonder Woman 1984 at home means that many people are going to watch Wonder Woman 1984 at home, which means they’re going to sell many fewer tickets. Meaning: This is going to cost WarnerMedia a bunch of money.

But the company clearly thinks that giving audiences a reason to subscribe to HBO Max is worth it. The streaming service — a mix of the old HBO plus a bunch of new stuff — got off to a slow start when it launched this spring, and it is hoping that a new, family-friendly superhero movie will be a reason for people to subscribe over the holidays.

And WarnerMedia needs a lot of people to do that: Its owner, AT&T, has promised Wall Street that it is going to become one of the dominant streaming services, along with Netflix and Disney. It will ultimately be either rewarded or punished based on that performance, rather than the near-term performance of its studio. So cutting off some movie revenue now — and making theaters upset along the way — will be worth it for WarnerMedia if it can turn HBO Max into a real Netflix competitor. And if it can’t, the money it loses on Wonder Woman 1984 won’t matter much anyway.

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Nicki Minaj isn’t anti-vax, exactly. That’s why her vaccine resistance is so concerning.

For many people, Nicki Minaj’s scene-stealing tweets about why she chose not to attend the Met Gala Monday night were peak comedy. Minaj told several people on social media she’d chosen not to attend the haute couture event because of its requirement that attendees be vaccinated against Covid-19. After she explained her hesitancy in a baffling, instantly viral tweet involving swollen testicles and a canceled wedding, some ignored the more concerning parts of Minaj’s argument in favor of laughing.

While it’s tempting to just focus on the absurdist meme potential of Minaj’s tweets, Minaj’s approach to the vaccine is deeply concerning, both because it reflects a strain of distrust in public policy, health, and science experts and because it presents a cautionary mindset regarding vaccines as a sort of reasonable “middle ground” in the fight between science and anti-vax ideology.

So far, about three-quarters of US adults are at least partially vaccinated against Covid-19, but many of the rest remain reluctant. As vaccinations become mandatory in many workplaces and schools, and people who are reluctant start discussing their anxieties, Minaj’s cautionary, individualistic approach to getting vaccinated might seem relatable and even reasonable. But this is still a highly dangerous approach rooted in misinformation and a concerning distrust of science.

We might think of it as the mainstreaming of “vaccine caution,” and it’s arguably just as dangerous as outright vaccine science denial.

Did Minaj’s cousin’s friend’s fiancée really call off their wedding because he got vaccinated?

On Monday afternoon, Minaj responded to a tweet from a fan lamenting her lack of recent public appearances by noting she didn’t want to risk her infant’s health during the pandemic. A few interactions later — including one in which she claimed Drake told her he contracted Covid-19 despite having gotten the vaccine — she tweeted, “They want you to get vaccinated for the Met. if I get vaccinated it won’t [be] for the Met. It’ll be once I feel I’ve done enough research. I’m working on that now.”

Since it’s combined with the invocation to wear a mask — advice given by experts who’ve endorsed vaccines — Minaj’s wary approach to the vaccine is a bit confusing. However, it’s nothing compared to what she followed it up with. Apparently, a big part of her reluctance to get vaccinated was based in part on the fate of her Trinidadian cousin’s friend’s nuptials:

Just to spell it out, known side effects of the Covid-19 vaccine do not include testicle swelling (although unfounded concerns about the vaccine and female fertility have circulated). Without more context about Minaj’s cousin’s friend’s illness, it’s impossible to know more — but it seems highly unlikely his situation had anything to do with Covid-19.

Naturally, this kind of left-field reasoning was widely ridiculed across social media, and Minaj quickly made headlines for peddling coronavirus conspiracies. Yet even as people were lining up to make STD references and Met Gala memes, many of Minaj’s fans were responding supportively — especially to her statement about “doing the research.”

“I read up on all the research for MONTHS before I chose to get it,” one reader responded, referring to the vaccine. “Everyone has the right to read the information given by the FDA and doctors before they take the shot right?”

This belief underlies Minaj’s argument, and it seems to be one that’s held by many other people with similar levels of mistrust in vaccine science.

Minaj’s insistence on doing her own “research” reflects collective Covid-19 anxiety

The problem with “doing one’s own research” is that, as Minaj’s tweets reveal, many people — who haven’t spent years researching viruses and vaccines — don’t have the scientific knowledge needed to evaluate vaccine efficacy without the help of experts. A huge part of the effort to curb Covid-related misinformation has been about trying to get people to understand that vaccination “research” isn’t something many people can just sit down and do on their own. Trying to do so may lead the researcher to pockets of misinformation that result in a citizen being more poorly informed, not better informed, about the actual health risks of vaccines.

In fact, this kind of thinking can be a direct route to begin interacting with and possibly believing in a wide range of conspiracy theories, mainly because there is so much misinformation and disinformation about highly complex subjects, including Covid-19.

It doesn’t help that some of that disinformation has come from trusted public institutions — including, during the Trump administration, directly from the US president.

What Minaj’s opinions represent, then, isn’t just her individual lack of knowledge giving rise to wariness over the vaccine. Her fear has been bolstered by years of anti-vax campaigns, as well as general public lethargy about actually getting vaccinated.

Minaj’s pushback against pro-vaccine rhetoric isn’t unique to her by any means. Black communities have endured centuries of being ruthlessly exploited, lied to, and sometimes used in unethical medical experiments without their knowledge or consent. They’ve been subjected to blatantly racist medical practices, all while continually bearing some of the worst effects of health epidemics, including Covid-19.

With systemic factors leading to a hugely unequal Covid-19 death toll for younger Black people, and false claims about Covid-19 vaccines continuing to spread, there is substantial mistrust of Covid-19 science among some Black Americans. If Nicki Minaj is in that group, can she really be blamed for it?

Well, yes and no — because Minaj’s tweets arguably have a powerful influence over the way her 22 million Twitter followers approach the subject of vaccination. If Minaj’s faith in science and health officials has been undermined and she’s subsequently encouraging followers to trust their intuition over that of health experts, she’s promoting a distrust of science in general that could have seriously damaging repercussions.

What Minaj seems to be arguing for, however, isn’t outright vaccine rejection. She even went on to say, “I’m sure I’ll [be] vaccinated as well cuz I have to go on tour.” Her cautionary, individualistic approach to getting vaccinated, however, might still do damage.

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Minaj’s ambivalence is part of a wider problem in conversations around Covid-19 vaccines

Minaj immediately began attempting to soften her harsher statements about the vaccine. She asked her followers which vaccine they’d recommend, and commented that taking the vaccine with no side effects is “the norm.” She also went on to say she “def recommend[s]” that people whose jobs or countries mandate vaccination do so, and admitted she’d probably get the vaccine herself. She also reiterated that her main reason for skipping out on the Met Gala was to protect her 1-year-old son.

She then pointed to a couple of her own tweets to argue that she had never expressed opposition to the vaccine. Minaj’s support clearly seems to be aimed at preventing job loss in circumstances where the vaccine is mandatory. The subtext seems to be a reluctant acceptance that workers can’t always be able to choose to go unvaccinated, rather than Minaj enthusiastically supporting vaccination itself.

Minaj’s overall attitude seems to be a kind of wary caution and a “DIY” approach to science. That might reflect a new “wave” of vaccine rhetoric adopted by many people who don’t strictly identify as anti-vax but who are still reluctant to actually get their shot.

Surveys have found that most unvaccinated adults say they are unlikely to change their minds and get the vaccine. Others who have not gotten the shot may be “in-betweeners” — people who aren’t anti-vax but who are still in a kind of wait-and-see holding pattern.

These holdouts could make a substantial difference in how effective the Covid-19 vaccines can be. The higher the vaccinated population, the more the vaccines can reduce transmission of the disease. Fully vaccinated people can resume living their lives somewhat normally, and their confidence and health may likely help sway even those who’ve firmly decided against the vaccine.

Instead, Minaj’s “middle-of-the-road” approach might become a new avenue for expressing distrust in science while still acquiescing to the necessity of vaccination.

The problem with this is that the efficacy of vaccines never has been, and shouldn’t be, a matter of public debate. With the exception of the original scientific study that began the modern anti-vax movement, which used false and fraudulent research to create fear, vaccines have always been part of scientifically established medical practice. They are safe, effective, and necessary for combating the spread of countless viral diseases.

The “do your research and decide what’s right for you” approach that celebrities like Minaj seem to be endorsing is a disingenuous view. It undermines centuries of epidemiology and important work to fight diseases by suggesting that vaccine safety boils down to how you, personally, feel about vaccines. But the question of whether vaccines are safe isn’t up for debate. The answer is simple: yes.

Minaj’s reluctance to say yes is unfortunate — but it’s important to note she’s far from the only celebrity who’s waffled about vaccine efficacy, spread misinformation, or outright rejected the vaccine. Minaj’s tweets are particularly significant, however, because they weren’t totally anti-vax — and because they came at a moment when all eyes were on her because of her absence from the Met Gala. Thus, many, many people saw Minaj presenting personal ambivalence as an alternative to promoting and trusting science and being responsible about getting vaccinated.

We may be making “My cousin in Trinidad” jokes for a long while to come. The unfortunate influence of Minaj’s vaccine resistance could last even longer.

SNL’s cold open spoofs Rudy Giuliani’s absurd Michigan hearing

In its December 5 cold open, Saturday Night Live parodied the testimony of Rudy Giuliani’s roster of witnesses at a widely panned hearing before Michigan lawmakers last week, in which President Donald Trump’s personal lawyer tried to convince legislators to overturn the state’s election results.

The sketch sought to mock the way in which many of the witnesses, in real life, rehashed baseless claims of voter fraud and misconduct, and on one particularly notable occasion, became adversarial toward the Michigan lawmakers overseeing the hearing while floating conspiracy theories.

Kate McKinnon, playing a theatrical and bumbling Giuliani, opened the hearing by declaring, “This election was stolen from the American people with a level of trickery not seen since Houdini.”

When asked for evidence of his claims, McKinnon’s Giuliani went on: “I have brought before you a dozen highly intelligent, barely intoxicated individuals who are all eyewitnesses, and after hearing their testimony you’re going to say, ‘Wow, Rudy was right, and he’s getting smarter and more respected every day.’”

The first witness to offer their testimony was Cecily Strong playing Mellissa Carone — a contract information technology worker for a voting systems company — who, in real life, made sweeping, evidence-free allegations about fraud at the hearing.

“I personally saw hundreds, if not thousands, of dead people vote for Democrats,” Strong’s Carone stated. “Did you check every poll? Did you talk to all the dead people?”

Heidi Gardner played another eyewitness, who claimed she saw Democrats serving ballots from food trucks. “The Democrats said, ‘It’s lunchtime’ and then they opened the food truck and it was full — full of ballot sandwiches, ballot pizzas, ballot steaks, and ballot spaghetti,” she said.

Gardner’s testimony seems to be an allusion to the real-life Carone’s insinuations in an interview with Fox News’s Lou Dobbs that vendors providing food to poll workers were carrying fraudulent votes.

Beck Bennett played My Pillow chief executive Mike Lindell, a Trump ally who has made numerous implausible claims about voter fraud in recent weeks, and who, in SNL’s version of events, used his testimony as a thinly veiled advertisement for his company. Alex Moffat played a witness who described an alien abduction story and then clarified that he saw the aliens “clearly filling out absentee ballots, all of them for Biden.” Asked when it happened, he said it was “seven years ago.”

There was also an appearance by Pete Davidson and Kyle Mooney playing two of the 14 men accused of a militia plot which included kidnapping Michigan’s Gov. Gretchen Whitmer, saying that they needed a chance “to do the whole thing over again.”

“If we have one more shot, we can get her in my basement for sure!” Davidson shouted.

McKinnon’s Giuliani wrapped up the hearing with a nod to the personal interests of those involved with keeping up Trump’s quixotic legal efforts to contest the election results: “The defense rests, but we will never rest, not until this election is overturned, or unless I get a full pardon or $10 million in cash.”

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