Top bodyguard to Saudi king shot dead in “dispute”

A prominent bodyguard to Saudi Arabia’s King Salman was shot and killed in what authorities described as a personal dispute, state TV reported Sunday, offering few details on an incident that shocked the kingdom. Tributes poured in across social media for Maj. Gen. Abdulaziz al-Fagham, with many including images of the bodyguard at work.

One included him bending down to apparently help tie the shoes of King Salman, the 83-year-old ruler of the oil-rich kingdom. Others show al-Fagham in the background of events with both King Salman and his predecessor, the late King Abdullah.Details remained vague. While officials posted condolences for al-Fagham, the first official word of his death came in a single tweet by Saudi state television. “Maj. Gen. Abdulaziz al-Fagham, bodyguard of the Custodian of the Two Holy Mosques, was shot dead following a personal dispute in Jiddah,” the tweet read.Saudi crown prince denies ordering murder of Jamal KashoggiAl-Jazeera reports that senior adviser Turki al-Sheikh tweeted: “May you rest in peace, hero.”  Saudi’s minister of health, Tawfiq al-Rabiah, also paid tribute on Twitter.State TV offered no other details. Hours later, the state-run Saudi Press Agency said a friend of al-Fagham shot and killed him, as well as wound another Saudi and a Filipino worker there. A gunfight erupted as security forces responded to the home that saw the shooter killed and five members of the security forces wounded, the news agency reported.
The daily newspaper Okaz, while offering no details on the shooting that led to his death, described al-Fagham in a headline as: “The Keeper of Kings.”Officials in the kingdom did not immediately respond to requests for comment from The Associated Press.Gun crimes are rare in Saudi Arabia, where strict Islamic law sees convicted killers and drug smugglers routinely executed. In 2017, there were 419 reported homicides, according to the U.N. Office on Drugs and Crime. Saudi Arabia is home to over 30 million people.

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Facebook still won’t let you “friend” Christopher Wylie

Hours before whistleblower Christopher Wylie went public in The Guardian newspaper on March 17, 2018, exposing a complicated international scheme to use Facebook as a political tool to target voters with finely-tuned, manipulative misinformation, Facebook banned him.

Aware that a bombshell story, largely based on Wylie’s account, was about to hit, the social media giant removed from all its platforms the accounts of multiple people associated with political consulting firm Cambridge Analytica. Wylie remains lumped in with his banned former colleagues a year and a half after he became a globally famous figure with his bombshell revelations. Wylie revealed in intricate detail a web of powerful characters stretching from the U.S. and Canada to the U.K. and Russia, who worked before the 2016 Brexit vote and U.S. presidential election to stockpile and “weaponize” an enormous trove of information about individual people. His work for Cambridge Analytica and its associates is recounted in his book “Mindf*ck: Cambridge Analytica and the Plot to Break America,” released Monday.”I’m still banned,” Wylie said in an interview with CBS News Wednesday. “They they won’t speak to me. You know Facebook has this sort of bizarre culture of like really shunning people who raise legitimate concerns about how, you know, their company is operating.”
A Facebook spokesperson confirmed to CBS News that Wylie remains barred from the platform, and referred CBS News to a March 18 press release explaining that Wylie and others misled the company about data harvested from Facebook.In his interview with CBS News, Wylie said he believed banning him was an attempt to “get ahead of the story.””I guess in some way to vilify me or cast me in a particular light. I thought it was a really petty move,” he said.But Wylie said the experience has actually served to elucidate just how powerful and integral Facebook has become to the typical internet user.”When I looked at what happened after, they completely eviscerated my existence, my identity online. All of my photos were gone. My messages were gone, not only from my account but they went into everybody that I had talked to on Facebook and deleted the messages from their accounts also. My Tinder stopped working. Because I used Facebook sign on, countless numbers of apps stopped working. And one of the things that I realized was the scale of like how much I was actually using Facebook services,” Wylie said.Wylie witnessed firsthand the power a person or company can wield both by gathering data about individuals through those services, and by using Facebook to target and deceive those same individuals. In one particularly disturbing scene recounted in “Mindf*ck,” Wylie describes watching from afar an actual person’s real-time internet activity — a man in Trinidad simultaneously researching plantain recipes and viewing pornography — while his “giddy” boss laughed, “taking such deep, nasty pleasure in the chance to ridicule and exploit others.”Wylie said he doesn’t think many people understand that there are companies capable of surveillance that intrusive. He said previous whistleblower revelations — such as the NSA spy programs revealed by Edward Snowden — let people believe their data is “collateral” to agencies unconcerned with most individuals.

“What’s different with Cambridge Analytica and more broadly with social media is that you are the target,” Wylie said. “People want to harvest your information in as granular a way as possible in order to, like, create a picture, a complete picture of who you are, ultimately to either sell you things or make you believe things.”Facebook and the firms that target users on social media are like extremely effective stalkers, he said.”Imagine you’re on a blind date for a second and…you sit down with somebody and you’re chatting with that person, and you know, they happen to like the same music that you like. They watch the same TV shows that you watch. You know they know some of the same people, they hang out in the same places. They seem, like, perfect for you. Right? And the reason for that is because they’ve spent two years stalking you, you know, looking at your photos, reading your text messages, talking to your friends. following you at work,” Wylie said. “In that moment you are vulnerable to being manipulated because there is an imbalance in information. You can’t properly assess the meaning and context of the things that you’re being told because you don’t know the underlying motivation, or the underlying information that’s powering that. And so Facebook is like a scaled version of that stalker.”

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‘No promises from Mercedes for 2022’ says Russell

George Russell has revealed that he’s received no assurances from Mercedes about a possible elevation to the manufacturer’s driver line-up in 2022.

The 23-year-old from King’s Lynn is about to embark on his third season with Williams. But he memorably made his debut for Mercedes last December when he subbed for an unwell Lewis Hamilton in the Sakhir Grand Prix.

Russell would almost certainly have won the race if not for a rare pit stop blunder by the team and a subsequent puncture. Even so, his impressive performance has put him in pole position for promotion.

  • Read also: Williams at ‘dawn of new era’ with Dorilton – Capito

But while Williams have exercised their option to hold on to Russell for 2021, the driver says that he’s received no promises from Mercedes team principal Toto Wolff about what might happen next year.

“Toto has always given me his word, and he has always given me the opportunity when they believe I deserve it,” Russell insisted. “But I’m not even thinking about it and no promises have been made at all.

“They have told me that I am a part of their future. Whenever that may be is again when they believe that the time is right.

“I think a lot of people think next year is the natural path,” he added. “But equally things change very, very quickly in motorsport, especially in F1, so I’m not even thinking about it to be honest.

“I obviously had a taste of life at the front of the grid last year,” he said, referring to his stand-in session at Sakhir. “But as I said, I’m just focused on the here and now, focusing on Bahrain.

“If I perform on track and I deliver, continuing on the same path and progress that I’ve been on so far, I guess the opportunity will come in the future.”

© Williams F1

Much depends on what happens to the current Mercedes line-up, with Hamilton and Valtteri Bottas both on single-year contracts. If one or both fail to sign further extensions then Russell would apear to be in pole position to step up.

“If that were not to happen, what most of you guys are speculating, it’s an interesting position for me,” Russell noted. “I guess I’ve got a very interesting decision on my hands towards the middle of this year.”

Staying at Williams would certainly be one option: “I see a very bright future here,” he told the media on Friday at the launch of the FW43B. “As it currently stands with the whole investment from Dorilton, the changes I’ve already seen taking place at Williams.

“Williams have finished last in the constructors’ for the past three season, and I don’t think that will be the case in 2022,” he stated confidently. “There’s a massive opportunity for every team in F1 for 2022.

“With the investment we’ve got, with the guys who are already here, with the guys like [new CEO] Jost [Capito] who are coming in, the relationship that has been built with Mercedes, it’s looking very exciting for the team.”

It’s less than a week to go before Russell will be at the wheel of his new car for the pre-season tests at the Bahrain International Circuit which get underway on March 12.

And the first race of the 2021 season follows in two weeks time on March 28, also in Bahrain.

“I’m really looking forward to driving again,” he said. “It’s been a couple of months since we last drove in Abu Dhabi. [I’m] really excited to drive, to find out how competitive the car is going to be, and just get back racing.”

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Fall 2021 womenswear trend: tailoring

Tailoring refers to pieces with crafted cuts resulting in sharp angles for a sophisticated look – and this is what we’re seeing in womenswear for the Fall 2021 season. Several designers have included this look in their ready-to-wear collections, showing us sartorial looks inspired by menswear and suiting.

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Tom Ford created tailored blazers in its womenswear line, rendered in long lengths to resemble mini dresses. These pieces feature sharp angles at the shoulders and sleek lapels, similar to blazers seen on Valentino’s runway – though Valentino took a more boxy approach to its tailoring for an oversized silhouette. In a similar manner, Etro opted for an oversized look in its tailored pieces, showing loose-fitted blazers, trousers and vests that bring a feminine touch to the masculine look of the trend.

Giorgio Armani, Fendi and Prada brought elements inspired by tailoring into various pieces, adding lapels and flap pockets typically found on blazers to other styles of coats, jackets and shirts. Carolina Herrera and Moschino each put a unique twist on the trend. The former created dresses and skirts with tailored fits and button closures, while the latter designed women’s suits that modernized traditional silhouettes with feminine touches such as wide legs, mini skirts and peplum tops.

Moschino and Etro, Fall/Winter 2021

The tailored styles to look out for in Fall 2021

Elements of tailoring always have a place in women’s collections as of late. Currently, retailers carry a range of pieces across blazers, coats and trousers with the look. This is expected to rise in popularity for the Fall 2021 season, with elements of tailored pieces expanding to different types of clothing and designers adding their own touches to traditional styles.

Tom Ford, Fall/Winter 2021

Images: courtesy of Tom Ford, Moschino and Etro

Grosjean: Haas decision to backtrack on IndyCar deal ‘fully understandable’

Romain Grosjean says Gene Haas’ decision to back out of a potential plan to sponsor the Frenchman’s move to IndyCar was “fully understandable”.

During the final months of his tenure with Haas in F1, Grosjean sounded out opportunities to head west to America to race in the IndyCar series.

To help his driver open a new chapter in his motorsport career outside of F1, team owner Gene Haas offered to support Grosjean’s efforts to find an IndyCar ride.

But the 34-year-old’s miraculous escape from his fiery crash in Bahrain incited Haas to reverse his decision to back Grosjean, as the team owner felt the Frenchman would perhaps be tempting fate one time too many in IndyCar’s risky high-speed oval environment.

“I don’t know… he has a wife and three kids, and I just told him I couldn’t see giving him money to go out and kill himself,” said Haas. “I just felt like he needs to stay home and take care of his family.”

However, Grosjean eventually secured a drive in IndyCar, but the Frenchman has been contracted by Dale Coyne Racing to race on the series’ road courses and street circuits, and not on its ovals or the Indy 500.

In hindsight, Grosjean has no bad feelings towards his former F1 boss for his decision to pull his sponsorship.

“We definitely had discussions before and after the crash with Haas to sponsor the project,” Grosjean told The Race.

“It felt like it could be a great story, racing for Haas in Formula 1 since the beginning, then carrying on and bringing the colour to IndyCar.

“Obviously they decided otherwise. I guess they had their reason and their choice. Fully understandable.”

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Dale Coyne Racing has recruited Haas reserve Pietro Fittipaldi – who stood in for Grosjean at the US outfit in the remaining two races of the 2020 F1 season – to steer the team’s #51 entry at oval events.

However, following his two IndyCar tests conducted with DCR at Barber Motorsport park and at Laguna Seca, Grosjean is considering the possibility of tackling at least one oval race this year.

“We haven’t really talked about it yet,” he said. “I think there are high chances that I would like to do it. But let’s see how the first races go, then we can assess.”

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Rosa-Hirsch tournament kickoff, PAC-Nemeth set for AEW Dynamite

The AEW Women’s title eliminator tournament will kickoff on this Wednesday’s Dynamite.

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In the opening round of the U.S. side of the bracket, former NWA Women’s champion Thunder Rosa will face Leyla Hirsch. Rosa is coming off a controversial loss to Britt Baker at last week’s Beach Break while Hirsch last was seen defeating Katalina Perez on Dark.

The full brackets for the 16-woman tournament taking place in both the U.S. and Japan have yet to be revealed.

In another new match announced Monday, PAC will face Ryan Nemeth. PAC will also be on Tuesday’s Dark against VSK and assuming he picks up a win there, he will head into Wednesday with six straight singles wins. Nemeth will also be in action on Dark against Marko Stunt.

Those matches join the following:

AEW World Champion Kenny Omega & KENTA vs. Jon Moxley & Lance Archer in a falls count anywhere, anything goes lights out match
TNT Champion Darby Allin vs. Joey Janela
Chris Jericho & MJF vs. The Acclaimed
Cody Rhodes & Lee Johnson vs. Peter Avalon & Cezar Bononi

Dries van Noten brings raw emotion to Paris Fashion Week

In one of the most beautiful fashion films of the digital season, Dries van Noten’s contemporary mix of design and choreography brought pure emotion to the start of Paris Fashion Week.

Setting the stage for a three-day shoot in Antwerp to film and photograph over forty dancers and models (all the time adhering to social distancing protocols) director Casper Sejersen and photographer Pamela Berkovic captured their movement and serenity in van Noten’s reflective approach to AW21. The film engages the viewer with something far more than the commercial need to sell garments.

The opening shot of a dancer wearing a white cotton shirtdress holding a bouquet of red roses suggested a sense of hope and purity. In other scenes dancers were not just styled in clothes but made the clothes a part of their movement, the choreography allowing us to see garments in new dimensions, like the dynamic shape of a grey wool coat or an oversized black tailored two-piece, which defied restrictions to capture their physicality.

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Inspired by the contemporary dance of Pina Bausch and the work of Anne Teresa De Keersmaeker of the Rosas contemporary dance ensemble, the closure of theatres, dance schools and the stage in general highlight the restriction of movement in current times. Van Noten brought elegance, passion and a reason to dress up.

Image: Dries van Noten AW21

Vettel says F1 sprint race idea ‘makes no sense’

Sebastian Vettel says he doesn’t understand the thinking behind Formula 1’s plan to trial a Saturday afternoon sprint race, insisting the idea is a mere “patch” that “makes no sense”.

F1 boss Stefano Domenicali tabled the idea of replacing qualifying with a short 100km race that would define grid positions on race day.

The concept which could be trialed this season at three races as received broad support from F1’s teams although competitors have requested more information before casting a formal vote on the initiative.

Mercedes F1 boss Toto Wolff believes that teams should keep an open mind and at least experiment with the idea. But Vettel begs to differ, insisting the sprint race concept is just a way of “shifting the focus from the real problem”.

“I don’t know what’s the thinking behind it. I don’t like it,” said the four-time world champion during Aston Martin’s team presentation on Wednesday.

“Why would you have a pre-final to a final? What’s the point of that? I don’t understand it.

“Obviously, if there is a race on Saturday then I will have to take part because I still want to drive on Sunday but from my point of view it makes no sense.

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“You have the grand prix and it’s always been run 300km and the main challenge of the weekend.

“I think if you have to introduce something like this then there’s something else you need to fix rather than the format – another race, or Q4 or Q5 or whatever it is.

“It’s shifting or taking the focus away from the real problem. It’s more of a patch rather than really a fix.”

Vettel’s Aston teammate Lance Stroll appeared open to the idea but agreed that F1 had bigger “fundamental issues” to address.

“I think there’s bigger fundamental issues that the sport has to address” said the Canadian.

“It could be great, I’m not against the idea, it’s not ridiculous. But it’s one of those things, like every regulation or format change, it’s always a question mark until we try it, to see how it impacts the sport.

“For me it’s more about getting the grid more competitive, getting the teams closer together – giving us the opportunity, both aerodynamically and with the tyres, to be able to fight closer, wheel-to-wheel, and fight harder together.

“We can’t do that with the loss of aerodynamic load behind the car, and the tyres have so much thermal sensitivity, that we drop out of the tyre temperature window and lose grip.”

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‘Making the Cut’ fashion competition returns for second season

Global fashion design competition, ‘Making the Cut’ is returning for a second season on Amazon Prime this summer to find the next great global fashion brand.

Amazon Studios announced that the second season will be hosted and executive produced by Heidi Klum and Tim Gunn and will be filmed in Los Angeles.

The show will feature ten entrepreneurs and designers from around the world who will compete to win 1 million dollars to invest in their brands. The winner will also receive mentorship from Amazon Fashion and the chance to create an exclusive line for the retailer.

‘Making the Cut’ will premiere this summer on Amazon Prime Video in more than 240 countries and territories worldwide and Klum and Gunn will be joined by judges supermodel Winnie Harlow, and Moschino creative director Jeremy Scott.

Last season each episode challenged the designers to create new looks based on a theme, which included haute couture, collaboration, and streetwear, and crowned a winning look and eliminated those that didn’t “make the cut”.

Like with the first season, Amazon confirmed that winning looks from each episode will once again be immediately available to purchase in Amazon Fashion’s ‘Making the Cut’ store. This was so successful last season that most winning looks sold out in under two days, the retailer added.

There has been no confirmation on the designer involved for the second season.

The 2020 edition was won by American designer Jonny Cota, who showcased his exclusive ‘Making the Cut’ inspired collection on Amazon Fashion in December. Other designers involved included Parson graduate Ji Won Choi, avant-garde designer Sander Bos, and German designer Esther Perbandt.

Commenting on the return, Klum, said in a statement: “I am so excited to be in my hometown of Los Angeles with such a talented group of designers and judges for season two. This last year brought so many unforeseen challenges across the globe, so I feel grateful that we were able to safely film as Tim and I continue our journey to find the next great global fashion brand.”

Gunn added: “I am delighted to be reunited with Heidi for season two of Making the Cut and for Winnie and Jeremy to join as judges. They both bring a unique voice and perspective to help us challenge these designers to sharpen their skills and get out of their comfort zones to become the next household names in fashion.”

Images: courtesy of Making the Cut

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Rhea Ripley heading to WWE Raw

Rhea Ripley is heading to WWE Raw.

In a vignette tonight, it was revealed that Ripley would be a part of the Raw brand going forward, and that she was ‘coming soon’. She hasn’t been seen since the Royal Rumble last month, when Bianca Belair eliminated her last to win the match. 

Prior to her appearance in the Royal Rumble, she was a part of the NXT roster. She last appeared on the January 6 edition of NXT, losing to Raquel Gonzalez in a last woman standing match.

Ripley signed with the WWE in 2017, competing in the first round of the Mae Young Classic, losing in the second round to Dakota Kai. The following year, she made it to the semifinals, losing to Io Shirai. She then moved to NXT UK, where she became the first NXT UK Women’s Champion.

She then moved to NXT, where she defeated Shayna Baszler to win the NXT Women’s title on December 18, 2019. She would defend and lose the title on the second night of WrestleMania 36 in 2020, facing Charlotte Flair.